This is how I fall in love with Salt Lake City on a Saturday:
Drive through the Avenues to the home workshop of a violin-maker who specializes in bows. Learn about the minute differences between Siberian stallion and Argentine mare hair.
Eat meat pies, plum bars, and eclairs from Mrs. Backer’s Pastry Shop while strolling down S Temple to the Presbyterian church and the Cathedral.
Climb Ensign Peak. Look at the the whole tree-carpeted valley. Watch the airplanes take off and land. See the baby quails on the trail.
Check out the Capitol Hill Ward meetinghouse. It looks like a Disney castle.
Hang out on the ample, shady lawn of the Capitol in late afternoon.
Drive through the neighborhoods of narrow streets and steep hills and old houses, pretty as any in Boston or Seattle.
Drink a Cherry Crush.
Eat an absurdly tasty reuben at Ruth’s Diner in Emigration Canyon. 1960 Corvette in the parking lot.
28 September 2010
20 September 2010
Wake up; we're here.
All it took was me getting up in the morning, going running, listening to Wilco, and seeing the moms bringing their kids to school to bring tears to my eyes. That was Friday. Today it was the driveway in a neighborhood south of Seven Peaks with handprints and names in the walkway and "Concrete is strong. Family is stronger." You'd think it was that time of the month, or something. I don't know. There's a lot of beauty around.
15 June 2010
Isaiah 55:2. Wipe that smirk off your face.
I've always been reluctant to get very much use out of this thing, the blog, because I'm afraid I'll just come out whiny. Advance apologies if my fears prove well-founded.
I need to do this because I suffer from a rare disease that causes my sense of self to diminish to dangerous levels if I don't emit words. And since my journal got stolen last month and I haven't yet begun to replace it, this is where I do my exercises. I said I suffered from a rare disease-- I was joking, and I probably shouldn't be joking because there are probably people who really do have diseases like that. Furthermore, it's probably abundantly clear to everyone that this disease, if we're serious about calling it that, is actually not rare at all.
I was going to write a lot this summer. Instead so far I've just played rock and roll. Which has its own rewards. One of the main rewards is being in a band called Casanova Frankenstein.
Come see us play this Friday, 18 June, at 8:00 pm, at 184 E. 500 N. With my friends The Brocks.
casanovafrank.blogspot.com
I need to do this because I suffer from a rare disease that causes my sense of self to diminish to dangerous levels if I don't emit words. And since my journal got stolen last month and I haven't yet begun to replace it, this is where I do my exercises. I said I suffered from a rare disease-- I was joking, and I probably shouldn't be joking because there are probably people who really do have diseases like that. Furthermore, it's probably abundantly clear to everyone that this disease, if we're serious about calling it that, is actually not rare at all.
I was going to write a lot this summer. Instead so far I've just played rock and roll. Which has its own rewards. One of the main rewards is being in a band called Casanova Frankenstein.
Come see us play this Friday, 18 June, at 8:00 pm, at 184 E. 500 N. With my friends The Brocks.
casanovafrank.blogspot.com
13 June 2010
I made it home safely.
In case you are wondering what happened in the last few days of our trip, now that we've been back for a month, we just wrote about them.
sandblogeurope.blogspot.com
sandblogeurope.blogspot.com
27 May 2010
Ghost in the machine.
I've heard the MSN "new message" sound come through my headphones seven times in the last ten minutes, and no one's chatting me.
Either me or the computer is insane.
Either me or the computer is insane.
22 April 2010
15 April 2010
Glory.
"Glory be to God for dappled things," wrote Hopkins. I love this phrase, this word. Glory is one of the most beautiful concepts and least understood ideas in English-- at least I don't understand it. But parable-like, it yields upon closer attention, revealing layer after layer of meaning to the dedicated searcher. On one level, "glory" seems to signify a particular flavor of brightness or shininess associated with divinity, as when the glory of the Lord abode on mount Sinai in Exodus or shone round about the shepherds in Luke. Isaiah prophesied, "And the glory of the Lord shall be revealed, and all flesh shall see it together." Maybe it's that word "revealed," but I feel this must refer to more than mere physical light. Glory also seems to connote spiritual enlightenment: Jeremiah said, "let him that glorieth glory in this, that he understandeth and knoweth me, that I am the Lord." In the New Testament especially, "seeing the glory of God" seems to accompany a greater understanding about God's nature. Jesus salved Martha's doubt by reminding her, "Said I not unto thee, that, if thou wouldest believe, thou shouldest see the glory of God?" The miracle that followed wasn't characterized by heavenly radiance, but by evidence of God's power and love. Jesus talked a lot about glory in his intercessory prayer:
"What I do is me; for that I came." The scriptures are charged with the grandeur of God, his glory made manifest through his works. "The heavens declare the glory of God;" exulted the psalmist, "and the firmament sheweth his handywork." Hopkins too had a deep admiration for nature's involuntary, whole-souled, existential song of praise to its creator; his invented term "inscape" characterizes the individual identity which every member of creation enacts or "selves," expressing through action its essential being, and which ultimately constitutes the fingerprint of the divine. This looks to me like glory at its best. Each tiny detail of God's creation-- fresh firecoal chestnut-falls; finches' wings-- exhibits such loveliness in its being and elicits such joy in Hopkins (and me) as to defy interpretation as anything but a distilled, concentrated expression of God's love: dearest freshness, deep down things. "The voice of the Lord maketh the hinds to calve, and discovereth the forests: and in his temple doth every one speak of his glory," says the psalmist, clearly possessing a Hopkinsian appreciation for nature's beauty as the hallmark of divine design.
But God's glory is most fully displayed, for both Hopkins and scripture, in his crowning creation: nature's clearest-selvéd spark Man. In Isaiah the Lord said, "for I have created him for my glory, I have formed him; yea, I have made him." His deepest glory, it seems, is to see us deal out that being indoors each one dwells, acting in his eye according to our godly inscape, and recognizing those clear-selvéd sparks in us as divine. God told Moses, "This is my work and my glory-- to bring to pass the immortality and eternal life of man." This is a remarkable thing, an incomprehensible thing; for if glory is inscape, then God's work and his self, his pure being, is to see us become like him. The absurdity of this proposal, the radicalness of this posited transformation, is so enormous as to leave me speechless, so I'll quote Hopkins:
"Glory be to God," Hopkins wrote, "for dappled things." There could be no things more dappled than us who he fathers-forth-- more swift and also slow; sweet and also sour; adazzle, and also painfully dim. And yet we are his glory, his being, his self-- because he loves us. And in a way perhaps only any parent can understand, somehow his glorious love is no less for our dimness, our darkness, our fellness, our blindness. He loves us-- for Christ plays in ten thousand places, lovely in limbs, and lovely in eyes not his to the Father through the features of men's faces. But he also loves us even when we do not reck his rod. And when we breed not one work that wakes. And when selfyeast of spirit sours our dull dough. And when we wrestle with him, our God (my God!) for years. He loves our blear. He loves our smear. He loves our smudge. He loves our smell.
Praise him.
- And now, O Father, glorify thou me with thine own self with the glory which I had with thee before the world was.
- And the glory which thou gavest me I have given them; that they may be one, even as we are one:
- Father, I will that they also, whom thou hast given me, be with me where I am; that they may behold my glory, which thou hast given me: for thou lovedst me before the foundation of the world.
"What I do is me; for that I came." The scriptures are charged with the grandeur of God, his glory made manifest through his works. "The heavens declare the glory of God;" exulted the psalmist, "and the firmament sheweth his handywork." Hopkins too had a deep admiration for nature's involuntary, whole-souled, existential song of praise to its creator; his invented term "inscape" characterizes the individual identity which every member of creation enacts or "selves," expressing through action its essential being, and which ultimately constitutes the fingerprint of the divine. This looks to me like glory at its best. Each tiny detail of God's creation-- fresh firecoal chestnut-falls; finches' wings-- exhibits such loveliness in its being and elicits such joy in Hopkins (and me) as to defy interpretation as anything but a distilled, concentrated expression of God's love: dearest freshness, deep down things. "The voice of the Lord maketh the hinds to calve, and discovereth the forests: and in his temple doth every one speak of his glory," says the psalmist, clearly possessing a Hopkinsian appreciation for nature's beauty as the hallmark of divine design.
But God's glory is most fully displayed, for both Hopkins and scripture, in his crowning creation: nature's clearest-selvéd spark Man. In Isaiah the Lord said, "for I have created him for my glory, I have formed him; yea, I have made him." His deepest glory, it seems, is to see us deal out that being indoors each one dwells, acting in his eye according to our godly inscape, and recognizing those clear-selvéd sparks in us as divine. God told Moses, "This is my work and my glory-- to bring to pass the immortality and eternal life of man." This is a remarkable thing, an incomprehensible thing; for if glory is inscape, then God's work and his self, his pure being, is to see us become like him. The absurdity of this proposal, the radicalness of this posited transformation, is so enormous as to leave me speechless, so I'll quote Hopkins:
- In a flash, at a trumpet crash,
- I am all at once what Christ is, ' since he was what I am, and
- this Jack, joke, poor potsherd, ' patch, matchwood, immortal diamond,
- Is immortal diamond.
- But ah, but O thou terrible, why wouldst thou rude on me
- Thy wring-world right foot rock? lay a lionlimb against me? scan
- with darksome devouring eyes my bruisèd bones? and fan,
- O in turns of tempest, me heaped there; me frantic to avoid thee and flee?
- Why?
"Glory be to God," Hopkins wrote, "for dappled things." There could be no things more dappled than us who he fathers-forth-- more swift and also slow; sweet and also sour; adazzle, and also painfully dim. And yet we are his glory, his being, his self-- because he loves us. And in a way perhaps only any parent can understand, somehow his glorious love is no less for our dimness, our darkness, our fellness, our blindness. He loves us-- for Christ plays in ten thousand places, lovely in limbs, and lovely in eyes not his to the Father through the features of men's faces. But he also loves us even when we do not reck his rod. And when we breed not one work that wakes. And when selfyeast of spirit sours our dull dough. And when we wrestle with him, our God (my God!) for years. He loves our blear. He loves our smear. He loves our smudge. He loves our smell.
Praise him.
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